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tv   [untitled]    August 14, 2013 9:30pm-10:01pm PDT

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to join us to celebrate today and they're standing in the mayor's office right now, so happy that they're part of this celebration. i think together we represent the diversity of san francisco and many of the ethnic communities that so desperately need naturalization services, from legal consultation to completion of the 10-page n. 400 forms, to the fee waiver forms to help them get a waiver for the 680 dollars application fee to become citizen. together our collaborative covers all of the major languages spoken by our clients, chinese, spanish, vietnamese, russian, other eastern european languages, burmese, tagalog and others. we urge you to attend upcoming naturalization workshop on august 10, 2013, to take
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advantage of the naturalization services which will be offered that day at number 1 south van ness. no appointments needed and free of charge. on behalf of all of our collaborative partners and our clientsv i want to thank mayor lee, president chiu, dr. hernandez, and all of our philanthropic funders. thank you so much for your generous support and your continued support through the san francisco pathway to citizenship will be a great success. we will give you our 200% effort. thank you very much. (applause) >> there is nothing more exciting and challenging as going through the process of naturalization in the united states. we're now going to hear from three individuals who are sharing their first person stories and have been very
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courageous and open about sharing these stories with us. first we will hear from claudia rodriguez and then mrs. su fong gau and then mr. gregory takakun. please come up, ms. rodriguez. >> good morning, everybody. i'm gloria rodriguez. [speaker not understood] catholic charities cyo and i am happy to say that now i -- my voice now counts. i can vote. now i can have my rights that were taken away. [speaker not understood]. i just want to thank public charities to help people like me to make it for the people [speaker not understood] for the community. so, thank you very much. (applause)
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[speaking in native language] >> good morning, supervisors. hi, my name is su fong and i am 96 years old. i have been studying for citizenship more than two years. and because of the elderly and other agency provided legal service that i can start citizenship. i had attended june 29th workshop and they provide the
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free service for me and filled out the application form. now i feel [speaker not understood] to apply for citizenship family. [speaker not understood] and can benefit our community. thank you. (applause) [speaking in native language] >> good afternoon, everyone. my name is gregory taku. i am 78 years old. i came from armenia. i became a citizen in april of this year.
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i am very proud of this. (applause) >> to prepare for citizenship takes, of course, a lot of work. you really need to relax through that process because it is, of course, very stressful. and i'll say who helped me most through this process was jewish family and children services.
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for a few months before my citizenship interview, i took classes with jewish family and children services through the instructor, which is me. [laughter] >> i'm very grateful. thank you, everybody. (applause) >> i'm very proud to be here and i'm happy to have left armenia so that i can take advantage of being an american citizen. (applause) >> something magical happens here in san francisco under mayor lee's leadership. before he begins the question
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and answer session, we have a few thank yous that we would like to make to our community and philanthropic partners for helping to make this initiative and this lunch possible. we'd also like to recognize tessa rivero callejo. (applause) >> [speaker not understood] who is a wizard with the pen with the san francisco foundation. richard whipple, the office of immigration and civic engagement affairs. (applause) >> [speaker not understood] rodriguez sack burn of grant makers concerned with immigrants and refugees. (applause) >> and as always, the excellent team from sfgovtv and mayor lee's communications team. thank you very much. the mayor will now take a few questions. (applause) >> i don't have violet's energy. [laughter] >>
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>> any questions about our initiative here? >> [speaker not understood] about what this means to you? >> well, in many ways, certainly for my life, having been the son of immigrant parents, i knew that they were very focused on being citizens because they wanted to get fear out of the way when they were adjusting. to me, i think that's been the story of so many of my clients when i was an attorney at the asian law caucus for a number of years that, as i serviced seniors and people living in low-income housing, oftentimes they wouldn't even want to use the legal process because of their fears. they didn't know what would be behind each door. and even speaking to an attorney sometimes was difficult for them, especially when i was trying to educate residents at [speaker not understood] about what is the
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warranty of habitability. something that we'll become more and more familiar with. but i think that's why i think going through a citizenship process, gaining the confidence that the individuals who have just spoken and feeling that you're as an american as anybody else offers you the ability to say, hey, i've got an opinion, too. i want wetter schools. i want to do all these other things. i want to be a part of that decision making, not be a recipient or victim of someone else's decision. and that's the key, i think, to this initiative. we always felt that we didn't do enough just by doing the census count. and in this city, i think we want that full participation. we want it so badly that even david chiu and all of us are saying, let's give people a vote who are not necessarily citizens to the education system because we need that -- we need that input. we don't want parents disengaged in what's going on
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with their kids. education is so important to everybody and so much a part of the future, but there are a lot of things we want to do, but i think the path to citizenship and what we have outlined here particularly with the funding agencies have so much experience in dealing with refugee and immigrant families, to have the nonprofits on the ground to do this work with us in collaboration i think is going to be -- you'll see in a very short time period, you're going to see a lot more levels of competence happen. and i suggest to you, it isn't just the individuals that will improve their confidence. when they live in their communities, they get to be part of their neighborhood associations. they get to be part of more nert. they get to be part of resident improvement associations. they get to tell us where our planning grants get to go to. what kind of flowers they want planted. they want a tree in front of their house? okay, put it on the side. and then all of this comes with, i think, full participation and get the fear out of the way, get full
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engagement in. that's what -- and that's why we created the office of civic engagement, to give everybody the power of being in the city that we welcome them in to participate. >> we don't have immigration reform. >> well, we don't have it today. that's not stopping us. that's why we went ahead and made this announcement because we want to give people across the country, and hopefully some congressional representatives that are not maybe in the state of california, but other states, a vision for what people really want. they want to be participants. they don't want to live in the shadows. and there's many parts of the immigration reform that we have to pay attention to. i happen to believe very strongly, and i think everybody in this room does, we can't lose family unification as part of it. we have to have a path for people who have been here, maybe on paper not legally, but they're americans like
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everybody else. it's just on paper they weren't. we've got to get them fully participating, not subject to some immigration judge's decision that because their paperwork of their parents weren't right that they have to be ousted from this country. i think there are so many parts of immigration that must be had and that's why we're advocating. and i am together with literally every elected leader in this city that san francisco is special. we know we're not the only voice in the country. so, we have to talk to other mayors in iowa, in indiana, in alabama and in florida, saying that there's a lot for immigrants to contribute to this country. we also have to have the talent come here as well. a lot of technology companies are reaching out to talent across the world and they need that talent to stay here to build the companies so that more jobs can get created. that's part of the immigration bill along with family, along with pathways to citizenship for those that are technically
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not legally here. how do you spend the $1.2 million on this program? >> thank you. that's over a three-year period and half of that money is coming from the foundations that are participating. that's why we wanted to officially thank them. the other half will come from the city general fund through the office of civic engagement and immigrant affairs that adrian has. and she will be working with all the nonprofits to fund them appropriately for the activities that will get people the training, the orientation, the classes, but also the outreach, building their confidence that they should go through the citizenship process. thank you. thank you, everybody. (applause) ...
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i'm nicole and lindsey, i like the fresh air. when we sign up, it's always so gratifying. we want to be here. so i'm very excite ied to be here today. >> your volunteerism is appreciated most definitely. >> last year we were able to do 6,000 hours volunteering. without that we can't survive.
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volunteering is really important because we can't do this. it's important to understand and a concept of learning how to take care of this park. we have almost a 160 acres in the district 10 area. >> it's fun to come out here. >> we have a park. it's better to take some of the stuff off the fences so people can look at the park. >> the street, every time, our friends. >> i think everybody should give back. we are very fortunate. we are successful with the company and it's time to give back. it's a great
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place for us. the weather is nice. no rain. beautiful san francisco. >> it's a great way to be able to have fun and give back and walk away with a great feeling. for more opportunities we have volunteering every single day of the week. get in touch with the parks and recreation center so come ♪ >> thank you for coming to the talent dance performance and talent show. [ applause ]
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>> today's performance and talent show. ♪ >> public recreation has every bit of the talent and every bit of the heart and soul of anything that any families are paying ten times for. >> you were awesome.
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>> welcome to culture wire. we will look at the latest and greatest public art project. recently, the airport unveiled the new state of the art terminal. let's take a look. the new terminal service and american airlines and virgin america was designed by a world- renowned architecture's firm. originally built in 1954, the building underwent massive renovation to become the first registered terminal and one of the must modern and sustainable terminals and the united states.
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the public art program continues its 30-year legacy of integrating art into the airport environment with the addition of five new commissions that are as bold and dynamic as the new building. >> this project was completed in record time, and we were able to integrate the artist's early enough in the process that they could work with the architect said that the work that is completed is the work that really helps complement and instill the space as opposed to being tucked away in a corner. >> be experience begins with the glass facades that was designed with over 120 laminated glass panels. it captures the experience of being under or over clouds when flying in a plane. depending on the distance or point of view, it can appear clear for more abstract and
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atmospheric. the subtle colors change gradually depending on the light and the time of day. >> i wanted to create an art work that looks over time as well as working on in the first glance. the first time you come here, you may not see a. but you may be able to see one side over the other. it features a couple of suspended sculptures. each was created out of a series of flat plains run parallel to each other and constructed of steel tubing. >> it is made up of these strata. as the light starts to shift, there is a real sense that there is a dynamism. >> it gives the illusion that this cultures might be fragments of a larger, mysterious mass.
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>> the environmental artwork livens it with color, light, and the movement. three large woven soldiers are suspended. these are activated by custom air flow program. >> i channeled air flow into each of these forms that makes it move ever so slightly. and it is beating like a heart. if-0 when as of the forces of nature moving around us every second. >> shadow patterns reflect the shapes of the hanging sculptures. the new terminal also features a children's play areas.
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both of the market the exploratory n.y. -- exploratorium. the offer travelers of all ages a playful oasis. using high quality plywood, they created henches shaped like a bird wings that double as musical instruments. serving as a backdrop is a mural featuring images of local birds and san francisco's famous skyline. >> in the line between that is so natural, you can see birds and be in complete wilderness. i really like that about this. you could maybe get a little snapshot of what they are expecting. >> it is an interactive, keck
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sculpture that is interacted with by the visitor. >> they are a lot about and they fall down the belt. it moves the belt up, and if you turn that faster, the butterflies fall in the move of words. >> the art reflect the commission's commitment to acquiring the best work from the bay area and beyond. in addition to the five new commissions, 20 artworks that were already in the airport collection were reinstalled. some of which were historically cited in the terminal. it includes major sculptures by the international artists. as a collection, these art works tell the story of the vibrant arts scene in the early 1960's through the mid-1980s's.
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the illustrate san francisco's cultural center and a place of innovation that is recognized and the love throughout the world. one of the highlights is a series of three left tapestries. they are on view after being in storage for 20 years. these tapestries representing various gardens. from his years of living in san francisco. hydrangeas, chrysanthemums, and whilst dahlias in rich, deep shades as they make their way to the baggage area. they can access behind-the- scenes information and interviews with the artist through an audio to work. it features archival audio as well as interviews with living artists.
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he can be accessed on site by dialing the telephone numbers located near the artwork or by visiting the commission's web site. the public art speaks volumes of san francisco as a world-class city with world-class art and culture. for more information, visit >> bonnie banks. bonnie banks. my definition of noise is uncontrolled music. without format. pretty simple affair. pancakes, and you're --
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people get up on sundays around noon, weekends or whatever. should not be too hard to walk into place. have your audio alarm clock go off for two hours waking your up while you are eating breakfast with many interesting visuals once in a while. improvisation. listening or not to the person you're playing up against or people or machines. trying to get as many different people in as possible. different genres, experimental noise, electronics, dissonance some drums.a tiny bit of ambient -- the first noise pancake shows, 1999,
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the first waffle noise, 2001. god-waffle noise, noise pancake came out of cubist art, place on mission street, brutallo, where the church -- opened up his house and saturday morning cartoons. a big space. you can have everybody set up and barely move equipment around; small room for an audience to move around, walkover and get pancakes without getting burned up in the kitchen. there's like people in their hard-core gabber; people into really fast death
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metal; black metal. people who don't listen to music at all. guy like larnie bock (sounds like) set up huge, motor driven harp. i don't know how to explain it. 40 foot of motors that he had running over strings and wires. and then played each string individually with the mixer. there is a feeling of euphoria when somebody's really good at what they do. experiencing a buffer,
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pushing your bowels out your rear. different. a lot of noise. you don't play clubs with a cleaning schedule, a guy coming in the morning emptying the beer bottles. you play the warehouse. if you travel around you will see the exact same kind of weirdos doing their own thing. it is like in the bay area it's even more absurd. there seems to be more people that in a place like new york or tokyo. we did a show in new york, i didn't think that anyone was at hardly, and people come up and said i saw the show. i wish they had some kind of breakfast noise going on over there. i think a lot of people were
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being, walking out of the shows. that was incredible. i can't believe it's over already, after two hours. if you are reluctant to enjoy something like this it will probably take a mass of peers to sell you on it. it's fine if you stay away. most of the people that come to the shows are pretty happy to be here. you may not be one of them. which is fine.


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